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Jenny Holtzer, Truisms, 1978

Jenny Holtzer, Truisms, 1978

(Source: micaceous, via contemporaryobsessions)

General Idea. Manipulating the self (Phase 1-A. Bordeline case). 1970.

Courtesy of AA Bronson

Gorgeous yet haunting, dark and enigmatic; bleeding illustrations of simultaneously graphic yet abstracted landscapes by Pablos Herrero. This series was featured on Booooooom in 2012.

At the very climax of joy there sounds a cry of horror or a yearning lamentation for an irretrievable loss.
– Friedrich Nietzsche, The Birth of Tragedy, 1872
Elfriede Jelinek, The Piano Teacher, 1983

Elfriede Jelinek, The Piano Teacher, 1983

(Source: aseaofquotes)

Clint Eastwood and Morgan Freeman within landscape film still from Unforgiven (1992)

Clint Eastwood and Morgan Freeman within landscape film still from Unforgiven (1992)

Norwegian painter Edvard Munch, at an old age, surrounded in a room of his own creations.

Norwegian painter Edvard Munch, at an old age, surrounded in a room of his own creations.

Micah Lexier & Christian Bök, Two Equal Texts, 2007, vinyl on existing window. As installed at MKG127, Toronto, 2007.

(Source: micahlexier)

One of many photographs by Orson Oblowitz, more gems at Tropic of the Dust Bowl

One of many photographs by Orson Oblowitz, more gems at Tropic of the Dust Bowl

(Source: colt-rane.com)

From Garry Neill Kennedy’s The Last Art College: Nova Scotia College of Art and Design, 1968-1978 (via toys and techniques)

From Garry Neill Kennedy’s The Last Art College: Nova Scotia College of Art and Design, 1968-1978 (via toys and techniques)

(via furtho)

Jenny Holtzer, Truisms, 1978

Jenny Holtzer, Truisms, 1978

(Source: micaceous, via contemporaryobsessions)

General Idea. Manipulating the self (Phase 1-A. Bordeline case). 1970.

Courtesy of AA Bronson

Gorgeous yet haunting, dark and enigmatic; bleeding illustrations of simultaneously graphic yet abstracted landscapes by Pablos Herrero. This series was featured on Booooooom in 2012.

At the very climax of joy there sounds a cry of horror or a yearning lamentation for an irretrievable loss.
– Friedrich Nietzsche, The Birth of Tragedy, 1872
Elfriede Jelinek, The Piano Teacher, 1983

Elfriede Jelinek, The Piano Teacher, 1983

(Source: aseaofquotes)

Clint Eastwood and Morgan Freeman within landscape film still from Unforgiven (1992)

Clint Eastwood and Morgan Freeman within landscape film still from Unforgiven (1992)

Norwegian painter Edvard Munch, at an old age, surrounded in a room of his own creations.

Norwegian painter Edvard Munch, at an old age, surrounded in a room of his own creations.

Micah Lexier & Christian Bök, Two Equal Texts, 2007, vinyl on existing window. As installed at MKG127, Toronto, 2007.

(Source: micahlexier)

One of many photographs by Orson Oblowitz, more gems at Tropic of the Dust Bowl

One of many photographs by Orson Oblowitz, more gems at Tropic of the Dust Bowl

(Source: colt-rane.com)

From Garry Neill Kennedy’s The Last Art College: Nova Scotia College of Art and Design, 1968-1978 (via toys and techniques)

From Garry Neill Kennedy’s The Last Art College: Nova Scotia College of Art and Design, 1968-1978 (via toys and techniques)

(via furtho)

"At the very climax of joy there sounds a cry of horror or a yearning lamentation for an irretrievable loss."

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